The barcelona chair was designed by ludwig mies van der rohe and lilly reich for the german pavilion at the 1929 international exposition in barcelona hence the chair s name.
Mies van der rohe barcelona chair original.
German pavilion designed by ludwig mies van der rohe and lilly reich was the german pavilion for the 1929 international exposition in barcelona spain.
The first barcelona chair was made in 1929 and later redesigned in 1950 by mies van der rohe himself see details below.
Ludwig mies van der rohe the modern city with its towers of glass and steel can be at least in part attributed to the influence of architect ludwig mies van der rohe.
The pavilion was the site of the inaugural ceremony for the german exhibits at the exposition and the spanish king was to preside.
The spanish king alfonso xiii was expected to attend the opening of the world s fair and as mies later stated.
It had to be an important chair a very elegant chair according to the architect.
One of the most recognised objects of the last century and an icon of the modern movement the barcelona chair is a tribute to the marriage of design and craftsmanship.
Barcelona chair of ludwig mies van der rohe.
It is an important building in the history of modern architecture.
The chair was first used in villa tugendhat a private residence designed by mies in brno czech republic.
The barcelona pavilion catalan.
Even though ludwig mies van der rohe said he aspired to be good rather than interesting this architect by trade has indeed garnered interest as one of the greats designers of mid century furniture design.
The barcelona chair is a chair designed by mies van der rohe and lilly reich citation needed for the german pavilion at the international exposition of 1929 hosted by barcelona catalonia spain.
One of his most popular and recognizable products is the barcelona chair which won a museum of modern art design award in 1977.
This building was used for the official opening of the german section of the exhibition.
Mies van der rohe designed this chair for his german pavilion at the barcelona exposition of 1929.
The designs immediately became a signature of the knoll brand and have been built to mies van der rohe s exacting standards ever since.
Mies a close friend and mentor to florence knoll during her time at the illinois institute of technology formally granted knoll the production rights to the barcelona chair and stool in 1953.
Equally significant if smaller in scale is mies daring design of furniture pieces that exhibit an unerring sense of proportion as well as minimalist forms and exquisitely.